Jason Dong 
Jason is a New York City based designer, with interests in editorial, branding, and typography. His work often explores the utilization of negative space and the boundary between function and ornamentation. 

He is currently at Tibi but he is always interested in freelance projects involving print! :)


[Education]
Boston University 

Master of Fine Arts in Graphic Design
2023–2025

New York UniversityBachelor of Arts 
in Visual Politics
2018–2022

COMA Dutch Design LabSummer Program
2023–2023


[Experience]
Boston University 
Junior Typography Teacher Assistant
2024–2024


Boston University
Graphic Design History Teacher Assistant 
2023–2024


Multiple Formats Volunteer 
2025–2025

Multiple Formats Exhibitor  
2024–2024


[Contact]
Email jasdong@bu.eduInstagramjasondongexclamationmark

Index
[2026]
30
Verve
[2025]
29
Tone in Tongue  
28
Tuesday Night Lectures 
27
1 & 3 Posters  
26
A poster is a large printed picture used for decoration
25
Space Tool 
24
A Poster Without A Start Nor End
23
Harvest
22
Designer As Author  
21
Renaissance Margins
20
Half: Title
[2024]
19
Semesters 1–3
18
Thesis Journal: Literature Review  
17
De Stijl 
16
Functionalism (Architecture) 
15
Taxonomy 
14
Filter of Perspective 
13
Kwangho Lee: Echoes of Form  
12
Extreme Scale: Daily Affirmations
11
What Is A Poster?
10
Poster House
09
In The Margins: Rethinking Graphic Design Education  
08
I Don’t Want To Live In A World That Isn’t Beautiful 
07
I’m Not A Designer, I’m A Fraud  
06
Meaning Is Always Relative: Translating Ornament and Crime
05
What Am I Worth? A Case Study  
04
There Is Too Much Stuff 
03
Multiple Formats  

[2023]
02
Manjing Chen  
01
Iterations of Life  
Project 20
De Stijl [Wikipamphlet]

A booklet of a Wikipedia article on De Stijl. Design choices are drawn from the aesthetics of this art movement. 


Figure 1/10. This cover is inspired by Piet Mondrian’s Composition No. IV with red, blue and yellow.
Figure 2/10. The back cover follows a similar design as the front cover.  
Figure 3/10. Title page. 
Figure 4/10. Contents. 
Figure 5/10. The double line motif is inspired by the angularity of De Stijl and its emphasis on clean lines.  
Figure 6/10. Spread. 
Figure 7/10. Spread. 
Figure 8/10. Spread. 
Figure 9/10. Spread. 
Figure 10/10. The colophon follows a similar design as the contents.